Wednesday, July 29, 2009
Big Things on the Horizon at Semuh Breeze Promotions.
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Friday, July 24, 2009
This is a Public Service Announcement From the Good Folks at Semuh Breeze Promotions
Work In Progress. Stay tuned!
Holla!!!!
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Monday, July 13, 2009
Spotlight Artist of The Week: 3rd Degry aka The Real Nobody
Finish this statement: “Hip-Hop is………
"Well, I can tell you what it’s not right off the bat, and that’s DEAD. I mean, honestly, to me, Hip-Hop is everything. It’s not just a way of life; it is life. I live and breathe Hip-Hop, it rests in our surroundings. It’s the graffiti on the wall by the bodega, the fitted hat leaning over your forehead, the boy’s break dancing in the train station at Times Square, that’s Hip-Hop. You might be asking yourself why I couldn’t finish the quote to begin with, and that’s a great question. I just feel like the skinny dippers (skinny jean wearers) aka the younger generation, and some of the older generations (shame on them) have lost all meaning to what Hip-Hop once stood for. A lot of these artists are out there making a mockery of their own culture just for a check, and that’s fucking scary. To think that you would bow out and or sell out on your own struggle for what the “popular demand” might be aggravates the shit out of me. Hip-Hop used to be about community and unity, there was no separation between artists because Hip-Hop was not just a popularity contest. It used to be solely based on what the artists and the people in their neighborhoods were facing, it was real talk, real life. Nowadays most the music has no relevance to what we live, there’s no substance anymore and the hate in the air has divided that same unity into Underground and Mainstream. Bottom line though, I can respect that the times are changing, I just can’t respect the change itself. The candy rap is not for me, I find glory in lyrically making sense, and having people become emotionally attached to my music because they can actually attest to what I rap about. Its as real as I am."
Were you influenced by the Latin music you where exposed to at a young age?
"Absolutely! There’s no question that my Puerto Rican background has influenced me musically. I am an extremely eclectic individual; therefore I draw inspiration from all that I hear. As I was growing up I realized that in all music, no matter how much the rhythm moved you, the words were what brought those instruments to life in my eyes. Once I began taking notice to the passion behind the lyrics of those same salsa and merengue records I would hear repeatedly, I knew I had found a form of self expression that would not only save me, but inspire others. Seeing Fat Joe and Big Pun make the transition as latino artists also proved that there was room for me in the game. So with that knowledge in hand, I set sail."
Who are your inspirations?
"Well, in Hip-Hop my inspirations are/were Big Pun, Notorious B.I.G., Pac, Jay-Z, Nas, Rakim, Big Daddy Kane, Kool G Rap, Big L, Slick Rick, KRS-One, Eminem, and honestly, any other lyricist you can think of. It always boils down to what you’re saying as an artist to me, because if I feel it bares no importance to life or what we go through as we struggle then I can just stock pile you with the rest of the bullshit music makers. At the end of the day, if I had a bad day at work and I come home to throw on some music, I’m not going to sit there and listen to “Stanky Leg” so I can feel better about it.
Now as far as my inspirations in life go, I have my mother Lorraine to thank for the fight in me. She has suffered through cancer, and open heart surgery, and still she continues on as if to say “nothing can keep me down”. I also have my sisters Ashley, and Summer, and my late girlfriend Layla to thank for never doubting me and supporting my every thought, no matter how empty the glass might have been, they always viewed it as half full. I also view what I have seen and lived as inspiration in itself. I mean, there’s nothing like being inspired by what you see, feel, or hear because those are the things that make your music REAL."
You’ve had some early industry drama in your career with bad management, how did that affect you aspirations?
"It didn’t affect my aspirations at all. It only made me smarter and better. I remember busting my ass to make sure we had everything ready too. I mean, he had us fooled. We came out of pocket for trips, studio, nearly everything. Meanwhile, he was selling our music and lyrics to other artists. I also had drama with artists while doing my songwriting thing. I wasn’t getting credit for my work with certain people and the labels will take you for a sucker in a heartbeat. It’s situations like that that either make or break an artist, and I was one of the lucky ones to be made."
So you’ve bounced back?
"No question. I have a new attitude, new goals, and it’s a new me out there baby. I couldn’t allow myself to be broken by anything or anyone who hadn’t seen my vision. Instead I felt I had to make them see it, and slowly but surely I’m opening eyes."
What projects are you working on?
"“Pardon The Interruption” which will be dropping shortly. It’s my way of saying “Excuse me fellas, my name is 3rd Degry aka “The Real Nobody” and your shit is trash”. I think it’ll be pretty self explanatory once it hits the ears of the critics. Aside from that, I am also working on “The Real Nobody” EP but you didn’t hear this from me."
Any guess stars?
"Not really. Truthfully speaking, only features I give out are to artists who need/deserve the opportunity to be heard. Unlike many, I enjoy taking the road less traveled. I refuse to use another niggas buzz to get on. I would rather ride my own fucking coat tail to the top and that’s why I grind so hard."
What’s your dream collabos?
"Good one. There are so many artists I would love to work with right now who I feel are amazing, such as Jay-Z, Kanye West, Common, Busta, T.I. and Ludacris out of the South, Justin Timberlake, Timbaland, Ryan Leslie. The list is rather extensive, but we’ll see who I can check off of it soon enough."
How did the death of Michael Jackson affect you?
"It was devastating. I mean when I was young all I remember was Michael being everywhere. World tours, music on every radio station, it was hard to escape his greatness. If there was ever one artist that showed me how much music could affect people’s lives, it was Michael. May he RIP and long live the King."
What’s the state of NYC Hip-Hop?
"NYC what? (laughing) It’s practically non-existent. I’ll keep it a hundred with you as I always do. The only place NYC Hip-Hop lives is underground, because the artists who do get that mainstream shine in NY are for the most part NOT making Hip-Hop. It’s apparent to me that the people aren’t the only one’s who have lost sight of what Hip-Hop is and should be, the artists themselves are blind as well. Instead of glorifying the bullshit for your check why not work on your songs and lyrics so that we can actually respect you for what you’re trying to do. I understand it’s a business, but I can only respect those who respect themselves. Real recognize real, and I know half these artists aren’t sleeping comfortable at night knowing that they’re making the music they’re being told to make and not the music they feel like making. So let’s just say NYC Hip-Hop is presently being plotted on for its assassination."
What sets you apart from the rest?
"I believe what sets me apart is my love for what the game stood for back when it began. I’ve always respected what Hip-Hop meant to us. Its point of views, and the artists that took what they did seriously. At the end of the road I stand alone because I am me. My music is an immediate expression of not only my own struggles but the struggles of those same people I want to understand me. So what better ways to gain their trust and ear than by putting their exact thoughts on reality into words we can all understand? What sets me apart is that I’m not really here for a check… I’m here because I love Hip-Hop."
Final question – everybody gets this one: Where will you be in five years?
"Ha! I don’t do 5 year plans buddy. I leave it all on the line everyday so that God can decide whether I worked hard enough or not for what I want out of life. So rather than answer that, I’ll do you one better. In the next year, expect to hear, see, and feel my presence in Hip-Hop. You’ll know the name by then."
Signing off,
www.twitter.com/therealnobody
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Monday, June 29, 2009
Spotlight Artist of the Week: Michael Jackson
He set the bar for others to follow. He was, and still is, the only artist that could cause adult Asian men to cry. His style and performance was the mark of creative genius. Though near the end a cloud settled over his life, Michael Jackson still sold out tours. He was the marker in the definition of my youth and his music was the soundtrack to my young life. I have to admit - I never owned an album. You didn't have to own an album to be impacted by his music - it was everywhere and so was He. Today you can still hear the latest music from MJ--when you buy a Ne-Yo album - you hear MJ, when you by a J.T. album - you hear MJ and the list goes on.
What I remember most is the Moon Walker movie. If you haven't seen it - you owe it to yourself to check it out. The movie takes you on a journey and for a child growing up in the hood I learned to appreciate escapism. Michael help a lot of us see a better tomorrow. He was a lot like all of us - his family, though not without it's share of drama, embodied the American Dream. He showed that hard work and talent pays off - and dedication to your craft can make you a legend in life and in death. So we at Semuh Breeze Promotions raise our glasses to Michael Jackson - may his music and his artistry be an example of the value of GOOD music; and may we never forget his impact on the world.
Holla!!!
Director/CEO
Semuh Breeze Promotions
Monday, June 22, 2009
Spotlight Artist of the Week: Melskino - On the Rise
Finish this statement...."Hip-hop is...."
"Hip Hop is not just music it’s a lifestyle, a way of life, it’s a World wide culture. It’s a form of expression, a voice for every urban to suburban neighborhood around the world. Some more dramatic than others, however the bases remain the same (Money, power and respect, etc). Followed by attitude, rhythm and self confidence that are all fused together to create what some refer to as (swag). That's Hip Hop!"
What is Smoke Squad International (S.S.I)? And how are you involved?
"Smoke Squad International LLC. Is your all in one Independent label. From Artist Development, Management, Publishing, Marketing & Promotion to Audio/Video Production, everything is done in house. S.S.I roots were seeded in the early 90's. However the company came into existence in March of 08. Me being the President and C.E.O and Axcess and Scott Steez being V.P's and Co Owners And Robert Nasa heading the video Production."
Who produces your music?
"I am the producer and a label executive, getting beats is not hard. Everyone now-a-days thinks they are producers. Just because you make a beat doesn't make you a producer! You have to handle your projects like a symphony at radio city music hall, and you're the conductor, you have to be able to compose and arrange your work. Come up with concepts, melodies, hooks, lyrics, you have to be able to give the artist direction and know how to communicate your vision. That's why our in-house production team consist of El Griette Exagerao, Chris-P, T.N.O, Masta Beats, Axcess, Mike Dynamite, Soumbie, Millions, Huggy, Sean Chris, Scott Steez and Oddesa--they Provide the sound for the future. It’s a top priority of Smoke Squad International to seek out the hottest up and coming talent."
Who are your musical influences?
"I am influenced by music it self being raised in Spanish Harlem as well as the Lower East Side of Manhattan, the Mecca of music and expression. I have been exposed to a verity of different types of artist, sounds and styles since I was a kid. So I learned to appreciate all genres for what they are and offer."
There are a lot of different sounds out there. People with talent are being looked over for commercial flavor. Where is Latin Hip-hop going?
"Just like any other genre gradually becoming accepted by the commercial Industry, Latin hip hop is evolving. For example, early hip hop to now. The music gets more sophisticated--concepts are becoming more complex--the visions are more vivid the beats are converting from the traditional dembow to more urban hip hop, dancehall, RnB and Pop tracks. I definitely see the culture going in the right direction and having a place in this industry."
You’re a step away from becoming a mogul, what's your next big move?
"The next big move is a documentary called "Strykah". Its a true story of how 1970’s cold war politics and International drug trafficking led to the rise and fall of one of the era’s most violent Gangs, Jamaica’s notorious Shower Posse. For more info and to view the trailer for strykah check out www.strykah.com."
You got a huge NY buzz going on right now what other projects can we expect coming from your crew?
"We have a few projects being released this summer, first is our urban Latin artist O.A ( El Sicodelico) debut mix tape "Psychodelic Documentary" Hosted by Latin mix award nominee DJ Pistolero that was just released this week, it's a breath of fresh air for the Latin market. The Mix tape debuts O.A ( El Sicodelico) New Single "Esa no es tu gata" Featuring: Anurey and Pre Production for the video is in the works. For Mid summer we have Realz Sadam of the rap group (D.I.S) highly anticipated solo debut mix tape, "I am general vol 1". Realz Sadam has a New single "I wanna know" featuring Chris-p and Reddy Rock of (D.I.S) taking off over seas. Shout out's to the whole Swag magazine staff, A&R Dreks wuz good. We should be shooting the video for that late this summer as well. Towards the end of the summer we will be releasing a Smoke Squad mix tape or compilation album that will feature Smoke Squad artist and affiliated artist and up and coming talent. You can stay up to date with our music and ventures by logging on to www.SMOKESQUADINTERNATIONAL.com and www.DTFRADIO.com
How did you guys get DTF radio off the ground?
"After the success of DTF Management/Entertainment whose executives are “A.Z” and “A.R”. In 2007 A.R had an idea to start up an internet radio station which would merge the urban and commercial markets together. DTFRadio.com was launched in A.R’s bed room with the Morning Madness Show which quickly became a success. With the buzz of the morning madness show, Fm and satellite radio personalities and club DJs started to approach the execs for shows and slot times on there station. That’s when the move to the 2nd location happened, and other shows where implemented. The station continues to grow now at its 3rd location which I designed and constructed with the help of “Decay” DTFRADIO now boast over 20 shows and 24hrs of music along with live video streaming, and has been nominated for best online radio station for a Latin mix award all in less than 2 years. For more info and to tune into DTFRADIO check out www.DTFRADIO.com"
You've got an impressive drive and passion for what you do, how do you manage it all?
"I'm a perfectionist, I believe if your not going to fully commit your self, and direct all your attention and ability to what ever it is your working on don't bother. Personally am not into half-ass shit, your reputation is everything in business. That's why I go as hard as I do with everything, with my art with our Business with my FAM, and yes it's difficult to manage all these aspects of my life that's why I don’t play games and time management is a key factor in everything I do."
Independent labels are really becoming the catalyst for aspiring MCs nationwide. Do you think this is the future of hip-hop?
"Independent labels are the future for all genres of music not only hip-hop. Internet gave indie labels the ability to compete with majors and be successful."
I ask everybody this question....where do you see yourself / DTF in five years?
"I see Smoke Squad International having a huge impact on the global industry as well as becoming the go to indie for all aspiring artist.
I see DTF radio continuing being the blue print for internet radio, and solidifying its position in broadcasting becoming larger than satellite and fm radio stations can ever be. "
FOR INFORMATION ON SMOKE SQUAD INTERNATIONAL AS WELL AS DTFRADIO CHECK OUT,
www.SMOKESQUADINTERNATIONAL.com And www.DTFRADIO.com
Holla!!!
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Monday, June 15, 2009
Spotlight Artist of the Week: Cise: The Mega Man of Rap
First question...Who is Cise Da Con?
"CISEDAC.O.N- IS THE SOUL OF THE STREETS, C.O.N. STANDS FOR (CREATIVITY -OVER -NEGATIVITY) I'M A HUMBLE DUDE, I'M A LISTENER, I HAVE THE SOUL OF A RAPPER FROM THE 90'S LOL!"
For those who don't know..what is "street" hip-hop?
"STREET HIP HOP TO ME- IS THE RAW ATTITUDE OF HIP HOP MUSIC! RAW LYRICS, RAW BEATS, ITS THE NEWEST SLANG, FASHION, DANCE ETC. ITS EDUCATING & ENTERTAINING PEOPLE AT THE SAME TIME."
There are a lot of MCs coming out of NY right now, what seperates you from the masses?
"ITS IMPORTANT FOR ME TO MAINTAIN THAT NEW YORK SOUND OF HIP HOP, PROVIDING INSPIRATION, HAVING THE FANS ABLE TO RELATE TO MY MUSIC IN ANY SITUATION THEY MAY BE EXPERIENCING, AND ENJOY LIFE THROUGH MUSIC."
You've been grindin' in the hip-hop scene since '96 - what drives you?
"THE LACK OF TALENT THATS OUT NOW AND WANTING TO FILL THAT VOID, I HAVE GOOD PEOPLE AROUND ME THAT WILL NOT ALLOW ME TO FAIL, PERFORMING AT SHOWS AND SEEING THE REACTION FROM THE CROWD, HIP HOP IS SOMETHING I'LL BE DOING UNTIL I HAVE GRANDKIDS LOL!"
You've got crazy flow and ability to change it up flawlessly, who are some of your lyrical inspirations?
"MY LYRICAL INSPIRATIONS ARE- FALLOUT SHELTER,RAKIM, B.I.G., NAS, BOOT CAMP CLICK, WU TANG, SLICK RICK, KOOL G RAP, THE LOX, MOBB DEEP, COMMON, MOS DEF/ TALIB KWELI, KRS 1, RUN DMC, MC LYTE, QUEEN LATIFAH, LITTLE BROTHER, BIG PUN, OUTKAST, BEENIE SIGEL, NWA. SNOOP, UGK, JAY Z, I CAN GO ON & ON OF ENDLESS EMCEES WHO'S WORK I RESPECT!"
Okay, best rapper ever?
"CISEDACON OF COURSE LOL!, BUT UMM THATS A TOUGH QUESTION BECAUSE ALL THOSE ARTIST I JUST STATED ARE THE BEST IN THEIR OWN RIGHT, I THINK IF YOU'RE STICKING TO THE FORMULA OF HIP HOP MUSIC AND SPARKING THE BRAIN LYRICALLY YOU'RE THE BEST."
What can the people expect to hear on "Da Biography"?
"A MORE PERSONAL CISE, MY FAN BASE IS STARTING TO GROW SO FOR THOSE WHO DON'T KNOW MY PREVIOUS WORK AND PROJECTS LEADING UP TO THE "MEGAMAN OF RAP" MIXTAPE, THE "BIOGRAPHY" ALBUM, THE "RADIO ACTIVE" COMPILATION ETC., I'M GETIING THEM CAUGHT UP TO SPEED AND FOR MY PREVIOUS FANS ITS SOMETHING NEW FOR THEM TO VIBE TOO, AND I THINK THEY EXPECTED FOR ME TO PUT A PROJECT LIKE THIS TOGETHER."
What's The Fallout Shelter?
"A GROUP OF EMCEES, PRODUCERS, A DJ, A GRAPHIC ARTIST & A VIDEOGRAPHER, WE WERE PUT TOGETHER BY THE POWERS THAT BE LOL!,WITH THE SAME ASPIRATIONS TO KEEP HIP HOP IN ITS TRUEST FORM AND DELIVER QUALITY MUSIC, VIDEOS, CLOTHING, PRODUCTION ETC., WE A FAMILY!"
Who's the mastermind behind those ill-ass beats?
"NONE OTHER THAN THE MAN HIMSELF (D-BOARDS) FROM BROOKLYN, HE'S ALSO A SURVIVOR OF 911, BUT PRIOR TO THAT HE'S BEEN A FAN OF HIP HOP SINCE DAY ONE! EVERYBODY READING THIS KEEP AN EAR OUT FOR THIS GUY HE'S GONNA BE IN THE LOOP OF SUPER PRODUCERS."
Who else can we expect to hear from on your up coming album?
"MY FALLOUT FAMILY! KIMBO 3:04 FROM (L.E.S NYC), HAYLO DA GOD FROM (EAST NY BROOKLYN), INDEPENDENT R&B SINGER PAULA FROM (L.E.S NYC), PRODUCTION BY D-BOARDS AND LEE THE BLACK NINJA."
What's your dream collabo?
"I HAVE A FEW, IT WOULD BE WITH STYLES P, CHRISETTE MICHELLE, COMMON, ALICIA KEYS, JILL SCOTT, BILAL, THE ROOTS, THE FOREIGN EXCHANGE, JOEL ORTIZ, NAS, I CAN KEEP GOING ON BUT I'LL GIVE YOU THOSE FOR NOW."
You've got a crazy schedule now. In fact the first time we corresponded you where headed to the studio for another mix tape session, how do you handle it all?
"ITS JUST ANOTHER DAY AT THE OFFICE FOR ME, ITS SOMETHING I LOVE DOING, I LIKE TO STAY BUSY, I DON'T WANNA COOL OFF, PEOPLE CAN HIT MY MYSPACE BLOG (MYSPACE.COM/CISEDACON)AND CHECK FOR SHOW DATES THIS SUMMER I HAVE A FEW MORE IN NEGOTIATIONS FOR LATER THIS SUMMER, I'M FINISHING UP THE NEXT MIXTAPE TITLED "THE FIBEROPTIC", ITS A LEAD UP TO THE "BIOGRAPHY" ALBUM, WE'RE SHOOTING 3 VIDEOS IN THE NEXT TWO MONTHS FOR THE DOCUMENTARY FILM WE'RE SHOOTING THIS SUMMER, WE HAVE ANOTHER GROUP COMPILATION ALBUM IN THE WORKS AS WE SPEAK, WE HAVE A INTERNET RADIO SHOW EVERY THURSDAY NIGHT FROM 8PM-2AM, SO I MEAN WE GONNA BE HEAR FOR YEARS TO COME."
Last Question:
Where will you be in five years?
Director/CEO
Semuh Breeze Promotions
Monday, June 8, 2009
Spotlight Artist of the Week: Photographer Vincent Lagana
Imagine an orchestra without its Master Violinist, a mass choir without a soprano section or a rock band without its photographer. Hard to image right? For decades photographers have braved swarms of excited fans and dangerous stage performance enhancing props to bring us the photos that commemorate timeless musicians. Vincent Lagana is one such artisan in the craft of photography. Vinnie's extensive background has given him the opportunity to work (use the word "play" interchangeably whenever you see the word "work" because photographing rockers looks fun as hell to me!) alongside some of music’s most talented legends to include: Deep Purple, Jethro Tull, Canned Heat, Tito Puente, Uriah Heep, Living Colour, Sting, Joan Baez, and Crosby, Stills and Nash just to name a few. Vinnie was gracious enough to let us review his Interview with Flash, an international music magazine:
Why did you decide to become a photographer?
"I've always had a passion for photography since I can remember thumbing through magazines when I was approximately 3 years old. The power of the image is so strong and I enjoyed experiencing that power first as an observer. When I was ten years old I became fascinated by a draw full of negatives that my family kept over the years. I was then drawn to the mystery of how a negative transformed an image onto paper. So I asked my father how it was done and he explained. He then agreed to buy me a developing kit from a photo store in New York. That is when I learned about black and white developing. My "laboratory" was the family bathroom. I was not able to afford an enlarger at the time so, all I was able to do was to make contact sheets. I fooled around with an "instamatic" Kodak of the time and enjoyed the darkroom. As I grew older during the 70's I became re-intrigued by the power of photography. Growing up between the 60's and 70's in New York was great for the visual arts. EVERYTHING was image. The Peace sign was elaborated in thousands of ways, posters were all over and in everyone's room ranging from Jimi Hendrix, to Black Power, to the famous Zodiac "Love Positions" Black Light Poster. If you walked the streets of 42nd Street in Manhattan you could not go without seeing the famous Frank Zappa poster known as "Fizzappa Crappa." The 60's and 70's were also rich in Rock & Roll photos and posters. The photos of Rock & Roll stars were also all over. Posters and photos of Robert Plant, Jimmy Page, Eric Clapton, The Who, Jethro Tull, Pink Floyd, The Rolling Stones, Mick Jagger, The Beatles, The Doors, Joan Baez, Bob Dylan, John Lennon, Carlos Santana, Jackson Browne, James Taylor, Janis Joplin, Cat Stevens, James Brown, Cream, Grateful Dead, Steppenwolf, and the list goes on and on. For the first time photography also gave us very real, powerful, and insightful looks into the Vietnam War. The impact those photos had been so profound around the world that, it eventually played a role in stopping the Vietnam War. Photography and the images it portrays were also going through a revolution of its own in technique. The new use of 35mm cameras was a revolution in itself. It afforded the photographer to be in places he otherwise could not have been with a larger camera. This revolution was also recorded into photos from this new small professional camera. The 35mm. camera played a big part in concert photography in the time period of "Make Love, Not War." It was those events, and times that inspired me to be a photographer. I wanted to be able to capture the energy of the moment. I wanted to make photos that "say a thousand words." In September of 1980 I received my first 35mm camera, a Canon AV-1 which was an automatic 35mm camera for amateurs. In December of 1980 I was personally working for the Chief of Bonn of Newsweek as a photojournalist. In January of 1981 I had my first photo published in Newsweek. The feeling was awesome, especially when I received my check! After this experience I was hooked on photography."
Did you attend some professional training school?
"No. I did not attend any special schools. I am self taught. I did however attain a Certificate of Graduation in Professional Photography, from the New York Institute of Photography in 1992. I felt like "legitimizing" myself. However, the bulk of my training came from "The School of Hard Knocks." I learn from my mistakes, I research, I read books, magazines, Internet articles, and most of all I observe and "take in" any information regarding photography. Of course one of the obvious things to do is look at other great photographers that came before you so; you can have a "meter" to evaluate yourself."
Is there a photographer who inspired your works?
Yes and no. I can name some that inspire me like Helmut Newton, Mapplethorpe, Annie Liebowitz, Chris Dreja (original Yardbirds member) for many of his fantastic historical shots of
Led Zeppelin, Jim Marshall, Ansell Adams, and many more. I am also inspired by photographers of National Geographic, Life Magazine, and all concert photographers, and photojournalists in general. The first photographs that inspired me, many times did not have names of author on the picture. Photography, in my opinion, is just like music. "It doesn't matter who makes it, what matter is if it is good.”There are a lot of "no name" photographers out there that are good but, unknown. Just like in the music world there are a lot of great musicians out there that just have not yet been discovered."
Why did you choose to work in the Rock scene?
I chose the Rock scene for two maybe, three reasons. First, I love Rock music and lived a
period of time when Rock music was revolutionized, had an impact on social change, was louder than ever, and it was the time Rock & Roll made its transition into the labels we give it today called Psychedelic Rock, Hard Rock, Heavy Rock, Heavy Metal, Progressive Rock, Latino Rock, Protest Song, Alternative Rock, Acid Rock, which some day will all be "labeled as classic?????." Today I still get a chance to see some of those legends of rock music and experience the same passion they created. That is what WE DIDN'T HAVE in those days of the "Rock Revolution." We listened to every style of music there was all on the same radio station!! People actually listened to "unlabeled, not categorized" music. At one moment you could be listening to Ina Gadda Da Vida, then Superfly, then some Tina Turner, next some Hendrix, Doors, next Simon & Garfunkel followed by King Crimson. This is what people forget about of that period time. Music between 1960-1975. The music we listened to on the radio varied in style and context. It created a multilevel listening level of enjoyment from all strands of society. This was a sign of the times. Free thinking, listening, and protest against the established repressive globalized "system," or "The Machine" as Pink Floyd called it. People were becoming more universal through music and more expressive. Freedom to "listen" existed. Then came the agents. Then came disco and it killed everything for a while. I have nothing against disco. Good dancing music with a limited fundamental beat but, you hate "to dance to the same drummer." That mixture of diverse music once heard in the 60's and 70's is gone. As Ian Paice, drummer for Deep Purple once said to me "over the years record company's talent scouts have been replaced by accountants." A second reason I chose the Rock scene was because I can get in FREE to see great concerts! I dig Rock music. I'm an old rocker that had the opportunity to see great rock & roll history in its making. As a concert goer I saw the Who when Keith Moon was still playing with them, I saw Led Zeppelin live at Madison Square Garden in the 1970's. I've seen Kiss in its prime when everyone knew of the "Kiss Army." I stood in front of the right channel of mountain like speakers at an ELP (Emerson, Lake, & Palmer) concert. And now that I am a concert photographer I have had the opportunity not only to see these concerts but, also to be backstage with legends of Rock music. At times I have had the added pleasure to party with Rockstars, or just sit down and have a beer with them to chit chat. What more can you ask for? Third, I just love Rock music, and having the ability to capture a special moment in Rock history on film, or digital camera is an awesome sensation of accomplishment. Having both a passion for Rock music and photography, to have them coexist and produce a moment worth looking at, "just makes for greater music." To put it in simple English "It's fucking great to see your profession and passion on the cover of Rolling Stone."
Any good stories about the bands with which you've worked?
"There are a few strange stories but I think they are only strange if you think that rockstars are not human beings and hold an image in your mind of what you think a rockstar should be like. You know what? They are just like you and me. Some a little bit more eccentric than others but, just the same, they are flesh and blood just like us. At some point their passion is also a profession, somewhat of a job sometimes. They have families to take care of, bills to pay, deadlines to meet, and lots of time away from home. Just like you and I they experience all the same problems in life like we do. What used to seem strange about rock stars years ago is now a standard of most Western industrialized civilizations. That is "Sex, Drugs, & Rock and Roll!" Which sector of society is any less strange? However, the strangest band I ever met was TAMPAX, an original Punk Rock band from Pordenone, Italy. These fuckers are strange and are still alive! Which are the difficulties that a photographer can have during a photo session? The biggest difficulty is in the "pit" as it is called. The pit is the area usually in front of the stage area where photographers stay and photograph. The area is restricted and shared professionally by all. However, the area is not entirely yours and at times you can find yourself in the wrong position of the pit area and miss a great shot. The pit area is also limited in time. You can only stay in the pit area for the first 3 songs of a band, sometimes on only 2 songs. Not much time to get a great shot. There is a lot of pressure in the pit."
In your opinion, is competition one of the rules of the Rock
photographers’ world?
I'm not sure what competition you mean. Personally, I look at my photos for myself first and then I criticize. If I feel a photo has some merit to appear in the public eye, and meet certain professional standards, then I keep it. I constantly compete with myself to get a "better picture." As far as competition translating into "making a living," then there is no competition. I am a freelancer and once again I have to compete with myself to try to get published. Marketing yourself is one hard lesson to learn when you are a freelancer. I think the biggest competition professional photographers are faced with today is the competition with people that give their work away for free to bands and magazines just to see their name in print. That has truly hurt the capable professional concert photographer. I could not do this job if I didn't have additional income from other sources. But, again, I feel the competition comes from within. In order to do the best job you can with passion as to represent yourself with pride and honor is not solely based on extrinsic values. Hopefully they will come to someday.”
Which bands would you like to work with?
“Rush, The Rolling Stones, AC/DC, Tom Petty, Willie Nelson, anything with David Gilmore, Beck, Evanescence, and there are so many more.”
How do you get such high quality shots?
“I try to keep my shots in the best focus possible while trying to catch the proper lighting, and action of the photo. The photo has to be more than just a candid. There must be the proper combination of focus, lighting, expression, and action of the subject that ultimately expresses into "this is great photo." That is what I strive for.”
Who was the most "difficult/easy" musician that you worked for?
This one is easy. Mick Box of Uriah Heep is the most easy to work with. I have met few people like Mick that can make you feel totally at your ease and treat you with the utmost respect. The man just has it all mixed up right. He is professional, kind, respectful, and down to earth. In a very important way it was Mick Box and Uriah Heep that kept me believing I should continue my concert photography. It was easy to get my photos to them, be exclusively published on their Sonic Origami CD, be nominated their official concert photographer, be brought on tour with them to Croatia, Germany, Austria, and Italy AND get paid for having my photos published exclusively in my very first professional music CD with a legendary band called Uriah Heep. The most difficult to convince that I was worthy of being their official photographer while they tour in Italy was Deep Purple. Deep Purple's manager is a tough business man and a photographer to boot. I must say he has many great shots of Deep Purple and I admire his work. The first time Bruce Payne recognized my work was after about our third meeting in a hotel lounge during a Deep Purple VIP party. I handed Ian Paice a new photographic poster I made of the band. Bruce Payne caught the poster by the corner of his eye, stopped, looked at the poster and said "That is great. Did you do this?" I then gave out free posters to Steve Morse, Roger Glover, and Jon Lord, and of course Ian Gillan. From that point on my work proved itself worth for Deep Purple. That is all I ask. I don't want fame but, I'll take the fortune. I just want my work to be worthy and get its just recognition. A "fair pay for a fair days work."
Shout out to Vinnie Lagana and the folks at Flash Magazine for their support and long history of keepin' it real.
Holla!
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Sunday, May 31, 2009
Spotlight Artist of the Week: LeMarvin
Q: Finish this statement: "I sing because...
"I feel like I have a purpose in life when doin it...its rare when what you do could make people happy ease the stress we all goin thru."
Q: You've been grindin' for almost five years now; you've faced adversity and have been signed to multiple recording deals-what keeps you going?
"I dont know cause its been plenty of times I wanted to say I'm done but somethin' kept bringin' me back....i guess it ain't in my hands and not to try to sound holy or like a saint but he keep wakin' me up to do this,good bad and all."
Q: Who are your musical inspirations?
"Tupac, R. Kelly, Marvin Gaye, and The Isley Brothers."
Q: What's different this time around with Brookland Entertainment?
"More creative control and its a small company run by Eric Nicks so most of the time you know the ins and outs (percentages) off whats goin' on. Kinda like a family situation instead of the majors....never knowin' whats goin' on,for the most part for me its a piece of mind,knowin' your work is not taken for granted."
Q: Work hard, play hard they say--what do you do to chillax?
"John Madden PS3 ,play ball,watch movies, hang wit Junior, my son, and watch some of the worst movies to get inspiration to write."
Q: Are you in touch with any of the old members of Last Minute?
"Well we all from Cali so we run into each other all the time. You cant help that everybody just tryna keep food on the table and stay fly at the same time cause we all got seeds."
Q: With songs like "Thug Like Me", "She Don't Be", and "U Got That" you present what I like to call hood-good love songs-do you write your own material?
"First off those songs are like 5 years old but i get the best responses on them but yes half of the album is co-wrote."
Q: What's your dream collabo?
"Plies and Dream as of now."
Q: Any tour dates in the future?
"Guest appearances right now but once the ball get rollin' its goin' down cause a lot of people askin' so yeah just don't forget about a nigga cause I promise I wont forget about nobody.
Q: What can we expect to hear on "Confusion"?
"Alotta my life situations put into song mode witt just a little more edge than most,basically just introducing everything that went on with me in a span of 8 to 10 years of my life. Its kinda like reversepsychology,the more I talk about it the sooner I can change up and be the man I suppose to be."
Q: "Too Many Patrons" is hot! What's the next single to drop? When?
"Well I was about to drop anotha single called "Change The Sheets" but I'm just gettin' real picky cause i can but "Transformer"might be the next single off of Brookland for me comin' soon to a hood near you, matter of fact you gone be able to pick it up everywhere cause its gone blow remember I said that."
Q: What's your five year plan?
"Damn people still askin' this question? LOL! I'm fuckin' wit you, but I never had a plan, if I did I wouldn't have went through most of the shit I been through but all i can say is I just wanna be I just wanna be successful."
Q: Last question: Any words of wisdom for an aspiring artist trying to make it in the music industry?
"Its sick out here or should I say in here(this bizz)do you, work hard and keep dreaming cause the people runnin' this shit don't know shit."
In Closing:
Brotha-thank you for taking the time out of your BUSY schedule to answer these questions-your willingness to open your heart and mind to your fans will take you far. From one SOCAL native to another-DO YA THANG MANE!!!
"Any time my nigga.
All we need is love ...."
Holla!!!
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Wednesday, May 27, 2009
Semuh Time Safe
Summer love is here Ladies and Gentlemen! Let me be the first to remind you of the importance of keeping your looks and your game on point!!
I was at the Club on Sunday and got shoved into Mikey.Dot by this petite little woman who could barely walk straight on her stiletto heels from all the alcohol she had in her system! It wasn't even two o'clock and yet here she was stumbling around the bar!
Needless to say: less is more when it comes to summer time drinking. Sip on a little something. You don't have to necessarily get tossed to enjoy a night out on the town with your girlfriends. Besides a drunk woman is never an attractive sight!
The same goes for you guys out there: I totally understand your need to drink something before you approach your love interest, just don't take it to the extreme! We are all adults and can probably agree that tipsy is so much more fun than "I was too drunk to remember the name of that chick I met last night!"
One last thing: always, and I mean ALWAYS have a Designated Driver!!!! Semuhtime is here and we are all going to be driving the extra miles to the beach to hit up the hot spots on the weekend. Let's make it a safe summer.
Elle
A&R, Manager
Semuh Breeze Promotions
Sunday, May 24, 2009
Spotlight Artist of the Week: Donny Goines
As we have reported, over and over again, Hip-Hop is in a state of global emergency. Ringtoned, autotuned, and lacking substance, Hip-Hop has fallen below the standards of self expression which fueled creativity and connected the artists and fans in the beginning. Enter Donny Goines, an MC that can actually MCs and believes that the level of his hustle is far more important than the toys it yields. Inspired by the movie "Fade to Black" DG (Donny Goines) decided to become a serious Hip Hop artist and hasn't looked back since. His lyrical prowess is just what east coast hip-hop and global Hip-Hop heads need to come back to the fold. We had the opportunity to correspond with DG via the internet (I love technology) and this is how it went down.
Q: Finish this statement: "Hip-hop is......."
"The only thing I've ever had a true passion for."
Q: Thanks for doing this interview, your a busy man nowadays-how do you manage the pressure?
"There is no real pressure in my opinion. I answer to myself essentially. No quotas to meet, deadlines to make, etc. I move on my own accord so I'm really just enjoying the ride and moving at my own pace. Music doesn't really get me too stressed actually, it's everything else around it that does but I just keep my cool and never let em see me sweat. "
Q: What motivates you?
"Money, women, fame, all these things of byproducts of me making music. They never motivated my actions. I do this because my heart is in it and I love what I do. When I create music and perform I feel so elated and nothing can really replace that in my opinion. I just one to be one of the greats one day. That's my motivation."
Q: You spent some time in the military; what effect does that have on your flow?
"None whatsoever. It does inspire my hustle and drive though. I learned in the Military that I can really do anything I put my mind to and my efforts are proof of that. I learned how to really disipline myself, work well with others and keep a certain "edge" so it that respect it was very beneficial to me."
Q: What can we expect to hear on "The Breakfast Club" LP?
"The listeners can expect to hear an eclectic blend of sounds and vibes on this album. I have all sorts of different concepts and themes to it which help to paint a picture with the music. It features artists such as Skyzoo, Amanda Diva, Tanya Morgan, Planet Asia and Producers such as Dame Grease, Statik Selektah, Kwame and Buckwild just to name a few. You can download it for free right now and all I ask in return is if you like it, just spread the word."
Q: East coast hip-hop is in a slump, what do you think needs to happen to bring it back?
"I think that artists from my city in the forefront need to really unify and work together in order to make things better for us as a whole. It's not going to be an overnight thing, but if we all work together and try hard it's possible to rebuild what others before us have destroyed."
Q: Any tour dates in the future?
"You can expect to catch me all over the place this year. Now that the album is out there I can focus on performing more then ever so look out for me in your local city and town. I will be traveling everywhere I can to spread my name and music out there."
Q: Work hard, play hard--how do you unwind?
"I don't. I just work harder then most and will unwind when its time to stop the clock. Other then that, it's music 24/7. That's my idea of fun."
Q: Seems like hooks make the track and you got some ill ones-what's your dream collabo?
"I don't really have a "dream" collab per say, but if I could make a record with anybody out there I would just make sure it is an amazing effort. I really don't think about things like that though to be honest, I just focus on making music with whoevers around me at the moment. Other then that, what happens in the future who knows?
Q: Last Question--What's your five year plan?
"God willing I will have a Grammy on the mantle somewhere, along with a nice house to put it in ha ha. Other then that though, I just hope I'm still here making great music and having fun doing what it is what I love. That's the best five year plan I could ever hope for. Hit me back in 2014 and let's see where I'm at though."
2014 it is, thanks for taking the time out of your busy schedule to correspond with us.
"Much love and God Bless. Thank you for the support."
Holla!!!
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Thursday, May 21, 2009
GO GET IT!
Ten years of waiting-and it's finally here. Blazin' beats and lyrical feats are nothing new for Hip-Hop's dynamic duo Method Man and Redman. Red and Meth continue to offer brash flows that Hip-Hop Heads (and other types of heads) are sure to appreciate. Finally an LP that matches the surrounding hype, BlackOut! 2 is sprinkled with Hip-Hop royalty-featuring the skills of: Keith Murray, Saukrates, Bun B, Eric Sermon and many, many-more. The "Dangerus MCees" masterfully rip up head bobbin' beats with ridiculously rabid rhymes--this album is not for the faint at heart. True Red and Meth fans will be glad they copped this album. East coast rap is represented well by the Mad Men--a definite end to end blend - BlackOut! 2 goes hard-I love it. Must hear: "BO2", "A-Yo", "Errbody Scream", "Dangerus MCees", "Hey Zulu", "City Lights", "Dis Iz 4 All My Smokers". Don't believe me? Go get it!
Holla!!!
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Sunday, May 17, 2009
Spotlight Artist of the Week: DJ Blue
Change the Beat Vol. 1: Faster Than U Know
I am happy to report that the ones and twos are still being put to good work. With blazzin' soul ballads and chilled out tempos, DJ Blue's new release is the perfect anthem for that summer BBQ or a warm night out on the town. We just got our copy hot off the press and we're happy to report this is an end to end blend--a must have for those of you who appreciate good music. "Faster Than U Know" is an explosive mix of cooled down hip-hop, jazz, funk and electronica including the talents of Q-Tip, Common, Cee-Lo, The Roots, Andre 3000, Jazanova and many, many more. DJ Blue takes you on a journey of soul - gleaned from his "Soulful Research". We're glad to be the first to tell you there is nothing lost in translation. Get it: www.myspace.com/dj_blue_d_original, and tell 'em Sumeh Breeze sent cha!
Holla,
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions
Here's How
There is one precious jewel-one universal gift each one of us has the ability to obtain....Individualism. It gives us the moxy to create music, art and fashion using our God given talents. Maximize your abilities and set obtainable goals. It's easy, it doesn't cost a dime and you'll gain an understanding of your max potential within weeks. Find out how: www.mindtools.com/page6.html --you're welcome.
Semuh Breeze Promotions
Thursday, May 14, 2009
An Interview with Dillon: The Subject of Universal Conversation
Finish this statement: "Art is.....
Art is many things. Read on if you dare… Art is a shitty gate that leads to a frozen lake. Art is the light reflecting off a bald man’s head near a lemonade stand. Art is comparing chest hair after breakfast. Art is placing one of your rather large terds into the cat box and telling your girlfriend “Babe, I think the cat is sick” (I’ve done this one)
What is "pop" art?
Ok, everything I said about art earlier - place it all in a bucket and let it sit and ferment like wine. Now scrape the thick gunk off the top with a sharp object. You now have Pop Art. Pop Art is the crème of the crop, the sweet and sometimes sour stuff. It is put on a wall in front of your face and it demands recognition. It can be loud, persuasive, and sometimes repugnant but it is always entertaining. If Pop Art was one word I think it would be banana. Don’t ask me why.
When you sit down to start a new work--what goes through your head?
Before it ever gets to my head it cultivates from my heart. I promise I am not trying to be a sap. This goes with what I claim art to be (for me at least). The heart chooses the subject, the head then interprets the language and the hands deliver the message.
As far as an exact thought running through my mind just before a new work… I am usually thinking about how it will look when it is finished. How people will react to it. Sometimes I just daydream about how many ways to execute style or even what color would look best. And if I drank a Red Bull or a Cappuccino before hand… you better just stay out of the studio.
Who are your inspirations?
I have many. I can probably name one for every letter in the alphabet. I believe the more inspirational beings you acquire the more receptive you are to obtaining knowledge. To name some randomly… Henry Ford for the quote, “If you think you can or you can’t, either way you are right”. Walt Disney for that “two-buttoned” mouse. – Joseph Merrick (Elephant Man) for the humility, rejection and isolation he endured within his lifetime. – Kurt Cobain for teaching me to play the guitar (not literally). – Martin Luther King Jr. for his unbiased speeches during an absolute biased world. – Enzo Ferrari for producing that bad-ass, little red car. – Charles Darwin for standing up for what he believes in. – Galileo for challenging the Church and the mental state of the 15th Century that the world revolved around the Sun. – And Jim Henson for the Muppet Babies. The list goes on but I’ll stop there. These people, among many others, inspire me to create.
You've been winning art contest since you where a young boy, how did you get started?
It all started with the push of a pencil. Most kids were playing four square or reading some weird ass book. I was lost in my doodles and sketches of random subjects (mostly comics). Sometimes I would draw the teacher making out with a student. I actually got caught drawing a “little guy” hanging from a clothes line (between two buildings) going to the “bathroom” on someone below. - That one was sent back home to my Dad with a “bad behavior” remark. I don’t remember him doing anything about it so it must have not been too bad. As I got older I stayed immature but I stopped drawing naked dudes.
What is your favorite piece?
Did I mention most artists are narcissistic? My favorite personal piece isn’t here yet. It’s on the way. It is a vinyl toy figure of thyself. (I know, how disgustingly beautiful right?) Anyway, it will have a respirator mask similar to the one I use when I paint. There will be about 4-5 variations at a quantity of about 250 each. There will also be a DIY (do-it-yourself) version that collectors will be able to custom paint. You can view the prototype here… http://www.flickr.com/photos/hollyworx/3529664384/
You've taken northern Italy by storm, been featured in TIME Magazine, and are receiving request from Galleries in the states to showcase your work--what's your next goal?
How about the world’s largest self portrait by one sole artist? My goal is to have it completed by the end of the summer. It should be about 35,000 square feet and consist of many faces (I’m not completely vain on this one).
The current economic crises are causing city and state governments to cut funding for art programs-what's your take on the subject?
I have absolutely no knowledge on the subject of funding for art programs. Maybe I should know more but I have always been reluctant to ask for assistance. Probably out of fear of rejection. I am not at all saying anything negative about these fruitful programs. I am all for it. I just have never encountered the experience of help from an outside organization. I do however love giving back. I will be listing 100 Celebrity Nude Paintings. (Don’t let the title throw you of) To raise money for breast cancer I will be selling paintings of boobs. Yes, you heard me right. Each painting will be of a stellar boob named after a famous actress. They should start going up this month so keep your eyes peeled for that.
Many of our readers love music-who do you listen to as you work?
I listen to ALL music… and I mean no offense to anyone but you would probably never catch me listening to Country or Gospel. A song that has caught my ear recently that is now on rotation in the studio is a song called Welcome Home by Coheed and Cambria.
Final question--do you see yourself doing more commercial work, maybe designing clothes?
I definitely see myself designing gear somewhere in the near future. Who knows maybe I’ll let my daughter take the reigns on that one. She’s only 3 months old so lets give her a couple years first.
A wink and a nod to Bobby Humes for the chance to express. A congratulation is in order as well for the birth of beautiful “Little Carter”
Thanks for all that you do.
Robert "Bobby" Du'Vall Humes, Sr.
Director/CEO
Semuh Breeze Promotions